The Philosopher
Umberto Eco
The face
The background
- Nationality:
- Italian
- Schools:
- Continental philosophy, Post-structuralism
- Branchs:
- semiotics, literary theory, medieval studies, Philosophy, Cultural criticism
- Period:
- 20th-century, 21st-century
The synopsis
The works
The Name of the Rose
Foucault's Pendulum
The Island of the Day Before
Baudolino
The Mysterious Flame of Queen Loana
The Prague Cemetery
Numero Zero
Ur-Fascism
The quotes
A dream is a scripture, and many scriptures are nothing but dreams.
Fear prophets and those prepared to die for the truth, for as a rule they make many others die with them, often before them, at times instead of them.
A book is a fragile creature, it suffers the wear of time, it fears rodents, the elements and clumsy hands. so the librarian protects the books not only against mankind but also against nature and devotes his life to this war with the forces of oblivion.
The thought that all experience will be lost at the moment of my death makes me feel pain and fear... What a waste, decades spent building up experience, only to throw it all away... We remedy this sadness by working. For example, by writing, painting, or building cities.
Musical compositions can be very sad - Chopin - but you have the pleasure of this sadness. The cheap consolation is: you will be happy. The higher consolation is the pleasure and recognition of your unhappiness, the pleasure of having recognised that fate, destiny and life are such as they are and so you reach a higher form of consciousness.
A transposable aphorism is a malaise of the urge to be witty, or in other words, a maxim that is untroubled by the fact that the opposite of what it says is equally true so long as it appears to be funny.
History is rich with adventurous men, long on charisma, with a highly developed instinct for their own interests, who have pursued personal power - bypassing parliaments and constitutions, distributing favours to their minions, and conflating their own desires with the interests of the community.
I started to work in television for three or four years, in 1954. There was one channel of television, black and white. But it could be entertaining and educational. During the evening they showed important plays, opera or Shakespeare's tragedies.
I think a book should be judged 10 years later, after reading and re-reading it.
If people buy my books for vanity, I consider it a tax on idiocy.
I would define the poetic effect as the capacity that a text displays for continuing to generate different readings, without ever being completely consumed.
Perhaps the mission of those who love mankind is to make people laugh at the truth, to make truth laugh, because the only truth lies in learning to free ourselves from insane passion for the truth.
It comes down to a question of attention: it's difficult to use the Net distractedly, unlike the television or the radio.
With all of its defects, the global market makes war less likely, even between the U.S.A. and China.
We have a limit, a very discouraging, humiliating limit: death.
Every time that I write a novel I am convinced for at least two years that it is the last one, because a novel is like a child. It takes two years after its birth. You have to take care of it. It starts walking, and then speaking.
As a scholar I am interested in the philosophy of language, semiotics, call it what you want, and one of the main features of the human language is the possibility of lying.
There is no great sport in having bullets flying about one in every direction, but I find they have less horror when among them than when in anticipation.
The book is like the spoon, scissors, the hammer, the wheel. Once invented, it cannot be improved. You cannot make a spoon that is better than a spoon... The book has been thoroughly tested, and it's very hard to see how it could be improved on for its current purposes.
I could work in the shower if I had plastic paper.
If western culture is shown to be rich, it is because, even before the Enlightenment, it has tried to 'dissolve' harmful simplifications through inquiry and the critical mind.
If somebody writes a book and doesn't care for the survival of that book, he's an imbecile.
The court jester had the right to say the most outrageous things to the king. Everything was permitted during carnival, even the songs that the Roman legionnaires would sing, calling Julius Caesar 'queen,' alluding, in a very transparent way, to his real, or presumed, homosexual escapades.
The problem with the Internet is that it gives you everything - reliable material and crazy material. So the problem becomes, how do you discriminate?
To read a paper book is another experience: you can do it on a ship, on the branch of a tree, on your bed, even if there is a blackout.
When men stop believing in God, it isn't that they then believe in nothing: they believe in everything.
I think of myself as a serious professor who, during the weekend, writes novels.
I think every professor and writer is in some way an exhibitionist because his or her normal activity is a theatrical one. When you give a lesson the situation is the same as writing a book. You have to capture the attention, the complicity of your audience.
After years of practice, I can walk into a bookstore and understand its layout in a few seconds. I can glance at the spine of a book and make a good guess at its content from a number of signs.
I love the secrecy of writing fiction. When I write a novel, I don't tell anybody what I'm doing. I'm living in my private world. And it's a great sensation.
When someone has to intervene to defend the liberty of the press, that society is sick.
Media populism means appealing to people directly through media. A politician who can master the media can shape political affairs outside of parliament and even eliminate the mediation of parliament.
Certainly, light fiction exists and encompasses mysteries or second-class romance novels, books that are read on the beach, whose only aim is to entertain. These books are not concerned with style or creativity - instead they are successful because they are repetitive and follow a template that readers enjoy.
It is psychologically very hard to go through life without the justification, and the hope, provided by religion.
There are more books in the world than hours in which to read them. We are thus deeply influenced by books we haven't read, that we haven't had the time to read.
The good of a book lies in its being read. A book is made up of signs that speak of other signs, which in their turn speak of things. Without an eye to read them, a book contains signs that produce no concepts; therefore it is dumb.
In the United States there's a Puritan ethic and a mythology of success. He who is successful is good. In Latin countries, in Catholic countries, a successful person is a sinner.
As an adolescent I wrote comic books, because I read lots of them, and fantasy novels set in Malaysia and Central Africa.
All the religious wars that have caused blood to be shed for centuries arise from passionate feelings and facile counter-positions, such as Us and Them, good and bad, white and black.
Semiotics is a general theory of all existing languages... all forms of communication - visual, tactile, and so on... There is general semiotics, which is a philosophical approach to this field, and then there are many specific semiotics.
I like nicotine because it excites my brain and helps me work.
When one starts writing a book, especially a novel, even the humblest person in the world hopes to become Homer.
Dan Brown is a character from 'Foucault's Pendulum!' I invented him. He shares my characters' fascinations - the world conspiracy of Rosicrucians, Masons, and Jesuits. The role of the Knights Templar. The hermetic secret. The principle that everything is connected. I suspect Dan Brown might not even exist.
The question of manuscript changes is very important for literary criticism, the psychology of creation and other aspects of the study of literature.
I was a fervent Catholic, and I belonged to the national organizations, even becoming one of the national leaders, until the age of 21, 22.
The real hero is always a hero by mistake; he dreams of being an honest coward like everybody else.
But Italy is not an intellectual country. On the subway in Tokyo everybody reads. In Italy, they don't. Don't evaluate Italy from the fact that it produced Raphael and Michelangelo.
Creativity can only be anarchic, capitalist, Darwinian.