The Philosopher
Stanisław Ignacy Witkiewicz
The face
The background
- Nationality:
- Polish
- Schools:
- Formism, Surrealism, Expressionism, Modernism, Avant-garde, Absurdism
- Branchs:
- Art philosophy, Theology, Metaphysics, Epistemology, Aesthetics, Ontology, Ethics, Psychology, Sociology, literary theory, Philosophy of art, philosophy of music, Philosophy of theatre, philosophy of photography, Philosophy of film, Philosophy of architecture, Philosophy of language, Philosophy of mind, Philosophy of religion, Philosophy of science, Philosophy of technology, Philosophy of education, Philosophy of law, Philosophy of history, Philosophy of politics, Philosophy of economics, Philosophy of mathematics, Philosophy of logic, Philosophy of consciousness, Philosophy of perception, Philosophy of action, Philosophy of emotion, Philosophy of Self, Philosophy of being, Philosophy of time, Philosophy of space, Philosophy of body, Philosophy of soul, Philosophy of freedom, Philosophy of fate, Philosophy of destiny, Philosophy of truth, Philosophy of beauty, Philosophy of good, Philosophy of evil
- Period:
- Interwar period
The synopsis
Stanisław Ignacy Witkiewicz, commonly known as Witkacy, was a Polish writer, painter, philosopher, theorist, playwright, novelist, and photographer active before World War I and during the interwar period. Born in Warsaw in 1885, he was the son of painter Stanisław Witkiewicz. He was home-schooled and encouraged to develop his talents across various creative fields. Witkiewicz studied at the Kraków Academy of Fine Arts. He was friends with composer Karol Szymanowski and anthropologist Bronisław Malinowski. After his fiancée's suicide in 1914, he joined Malinowski's expedition to Papua, which was interrupted by World War I. He served in the Imperial Russian Army and was wounded in 1916. Witnessing the Russian Revolution, he developed his philosophical principles and later expressed fears of social revolution and foreign invasion in his absurdist works. After returning to Poland, he became a prominent figure in the "formist" art movement, writing plays and manifestos on art and theatre. He established the "S.I. Witkiewicz Portrait Painting Company" and gained recognition for his novels, including "Farewell to Autumn" and "Insatiability," for which he received the Golden Laurel of the Polish Academy of Literature in 1935. He also published works on philosophy and his experiences with narcotics. In 1939, following the invasion of Poland, Witkiewicz committed suicide. His work gained significant posthumous recognition, influencing the "Theatre of the Absurd" and contemporary art.
The works
Nowe formy w malarstwie
Szkice estetyczne
622 upadki Bunga, czyli Demoniczna kobieta
Pożegnanie jesieni
Nienasycenie
Jedyne wyjście
Maciej Korbowa i Bellatrix
Pragmatyści
Mister Price, czyli Bzik tropikalny
Tumor Mózgowicz
Nowe wyzwolenie
Oni
Panna Tutli-Putli
W małym dworku
Niepodległość trójkątów
Metafizyka dwugłowego cielęcia
Gyubal Wahazar, czyli Na przełęczach bezsensu
Kurka Wodna
Bezimienne dzieło
Mątwa
Nadobnisie i koczkodany, czyli Zielona pigułka
Jan Maciej Karol Wścieklica
Wariat i zakonnica
Szalona lokomotywa
Janulka, córka Fizdejki
Matka
Sonata Belzebuba
Szewcy
Witkacy z Niną w Warszawie
Narkotyki — niemyte dusze
Pojęcia i twierdzenia implikowane przez pojęcie istnienia
Kompozycia fantastyczna
Pocałunek mongolskiego księcia