The Philosopher
Peter Kivy
The face
The background
- Nationality:
- American
- Period:
- 20th century, 21st century
The synopsis
Peter Kivy (October 22, 1934 – May 6, 2017) was professor emeritus of musicology and philosophy at Rutgers University. He received his B.A. summa cum laude from the University of Michigan in 1956, an M.A. in philosophy from the University of Michigan in 1958, an A.M. in musicology from Yale University in 1960, and a PhD in philosophy from Columbia University in 1966. He taught at Brooklyn College from 1966 to 1967 before joining the faculty at Rutgers University, where he became a full professor in 1976. His early work focused on 18th-century British aesthetics, particularly Francis Hutcheson. From the late 1970s, Kivy's primary interest shifted to the philosophy of music. His book "The Corded Shell" introduced the contour theory, a precursor to literalism in music philosophy. A central theme in his work was the problem of how instrumental music expresses emotion, suggesting that music imitates the physical expressions of common emotions. He also authored "Sound and Semblance," "Osmin's Rage," "Sound Sentiment," "Music Alone," and "Authenticities," among other influential works in aesthetics and the philosophy of music.
The works
Speaking of Art
Francis Hutcheson's Inquiry Concerning Beauty, Order, Harmony, Design
Thomas Reid's Lectures on the Fine Arts
The Seventh Sense: A Study of Francis Hutcheson's Aesthetics, and its Influence in Eighteenth-Century Britain
The Corded Shell: Reflections on Musical Expression
Sound and Semblance: Reflections on Musical Representation
Osmin's Rage: Philosophical Reflections on Opera, Drama and Text
Sound Sentiment: An Essay on Musical Emotions
Music Alone: Philosophical Reflections on the Purely Musical Experience
Essays on the History of Aesthetics
The Fine Art of Repetition: And Other Essays in the Philosophy of Music
Authenticities: Philosophical Reflections on Musical Performance
Philosophies of Arts: An Essay in Differences
New Essays on Musical Understanding
The Possessor and the Possessed: Handel, Mozart, Beethoven and Idea of Musical Genius
Introduction to a Philosophy of Music
The Blackwell Guide to Aesthetics
The Performance of Reading: an Essay in the Philosophy of Literature
Music, Language, and Cognition: And Other Essays in the Philosophy of Music, further collected essays of Peter Kivy
Antithetical Arts: On the Ancient Quarrel Between Literature and Music
Once-Told Tales: An Essay in Literary Aesthetics
Sounding Off: Eleven Essays in the Philosophy of Music