The Philosopher
John Ruskin
The face
The background
- Nationality:
- English
- Schools:
- 19th-century philosophy, Western philosophy
- Branchs:
- Art criticism, Architecture, Political economy, social reform, Environmentalism, Sustainability
- Period:
- 19th-century
The synopsis
John Ruskin (8 February 1819 – 20 January 1900) was an English polymath – a writer, lecturer, art historian, art critic, draughtsman and philanthropist of the Victorian era. He wrote on subjects as varied as art, architecture, political economy, education, museology, geology, botany, ornithology, literature, history, and myth. Ruskin's writing styles and literary forms were equally varied. He wrote essays and treatises, poetry and lectures, travel guides and manuals, letters and even a fairy tale; *The King of the Golden River*. He also made detailed sketches and paintings of rocks, plants, birds, landscapes, architectural structures and ornamentation. The elaborate style that characterised his earliest writing on art gave way in time to plainer language designed to communicate his ideas more effectively. In all of his writing, he emphasised the connections between nature, art and society. Ruskin was hugely influential in the latter half of the 19th century and up to the First World War. After a period of relative decline, his reputation has steadily improved since the 1960s with the publication of numerous academic studies of his work. Today, his ideas and concerns are widely recognised as having anticipated interest in environmentalism, sustainability, ethical consumerism, and craft.
The works
Modern Painters
The Seven Lamps of Architecture
The Stones of Venice
Unto This Last
Fors Clavigera
Praeterita
The quotes
Nearly all the powerful people of this age are unbelievers, the best of them in doubt and misery, the most in plodding hesitation, doing as well as they can, what practical work lies at hand.
There is never vulgarity in a whole truth, however commonplace. It may be unimportant or painful. It cannot be vulgar. Vulgarity is only in concealment of truth, or in affectation.