The Philosopher
Johann Wolfgang von Goethe
The face
The background
- Nationality:
- German
- Schools:
- Sturm und Drang, Weimar Classicism, Romanticism
- Branchs:
- Botany, Anatomy, Color theory, Literature, Science, Statesmanship
- Period:
- Weimar Classicism
The synopsis
Johann Wolfgang von Goethe (1749–1832) was a German writer and polymath, widely regarded as the most influential figure in German literature. His work significantly impacted literary, political, Christian, and philosophical thought in the Western world from the late 18th century onwards. Goethe was a prolific poet, playwright, novelist, scientist, statesman, theatre director, and critic. He authored a diverse range of works, including plays, poetry, aesthetic criticism, scientific treatises on botany, anatomy, and color theory. In 1775, following the success of his novel "The Sorrows of Young Werther," Goethe moved to Weimar, becoming part of a vibrant cultural scene under the patronage of Duchess Anna Amalia. This environment fostered the development of Weimar Classicism. He was ennobled in 1782 and was an early proponent of the "Sturm und Drang" literary movement. During his initial decade in Weimar, Goethe held significant public offices, contributing to administrative reforms and the city's cultural landscape. His journey to Italy (1786–1788) proved pivotal for his aesthetic and philosophical growth. A notable scientific contribution was his "Metamorphosis of Plants." His productive friendship with Friedrich Schiller from 1794 until Schiller's death in 1805 marked a significant period, during which Goethe published works like "Wilhelm Meister's Apprenticeship" and the first part of "Faust."
The works
Götz von Berlichingen
The Sorrows of Young Werther
Wilhelm Meister's Apprenticeship
Iphigenia in Tauris
Egmont
Torquato Tasso
Reineke Fuchs
Hermann and Dorothea
Roman Elegies
The Natural Daughter
Faust Part One
Elective Affinities
West-Eastern Diwan
Aus meinem Leben: Dichtung und Wahrheit
Italian Journey
Faust, Part Two
Metamorphosis of Plants
Theory of Colours