The Philosopher
Colin Wilson
The face
The background
- Nationality:
- British
- Branchs:
- Existentialism, Paranormal, mysticism, True crime, Phenomenology, Positive psychology, Metaphysics, Occult
- Period:
- 20th century
The synopsis
The works
A Manual of General Science
Man and Superman
Adrift in Soho
Ritual in the Dark
The Outsider
Religion and the Rebel
The Age of Defeat
Introduction to the New Existentialism
New Pathways in Psychology: Maslow and the Post-Freudian Revolution
Existential Criticism: Selected Book Reviews
The Strength to Dream
Eagle and Earwig
Poetry and Mysticism
The Craft of the Novel
The Bicameral Critic
The Books in My Life
Brandy of the Damned
The Occult: A History
Aleister Crowley: The Nature of the Beast
Access to Inner Worlds
Super Consciousness
The Mind Parasites
The Philosopher's Stone
The Space Vampires
Spider World: The Tower
Spider World: the Delta
Spider World: The Magician
Spider World: Shadowland
The Return of the Lloigor
The Tomb of the Old Ones
A Criminal History of Mankind
The Mammoth Book of True Crime
From Atlantis to the Sphinx
Dreaming to Some Purpose
The quotes
The average man is a conformist, accepting miseries and disasters with the stoicism of a cow standing in the rain.
Whereas in the past optimism had been regarded as rather shallow - because 'oh well, it's just your temperament, you happen to be just a cheerful sort of person' - what I wanted to do was to establish that in fact it is the pessimists who are allowing all kinds of errors to creep into their work.
If you asked me what is the basis of all my work, it's the feeling there's something basically wrong with human beings.
Criminals interest me, because they're driven by the same desires as we are, but they take these disastrous shortcuts and end up in a real mess.
A symphony is a stage play with the parts written for instruments instead of for actors.
What I wanted to do was to try to create a philosophy upon a completely new foundation.
The mind has exactly the same power as the hands; not merely to grasp the world, but to change it.
When I was a teenager I was a total romantic escapist. My world was books.
The complex develops out of the simple.
Being very famous is not the fun it sounds. It merely means you're being chased by a lot of people and you lose your privacy.
If I'd stayed on in London and carried on going to literary parties, it would have wrecked me as a writer.
I've always been a pretty hard worker. That's how I've written over a hundred books.
I'm basically a writer of ideas, and the English aren't interested in ideas. The English, I'm afraid, are totally brainless.