The Philosopher

Alexei Losev

The face

The background

Nationality:
Soviet

The synopsis

Aleksei Fyodorovich Losev was a Soviet and Russian philosopher, philologist, and culturologist, widely regarded as one of the most significant figures in 20th-century Russian philosophical and religious thought. Born in Novocherkassk in the Russian Empire, Losev's early education focused on classics, but he developed a profound interest in philosophy after encountering the works of Vladimir Solovyov. He pursued higher education at Moscow University, earning degrees in philology and philosophy. His early career saw him publishing works on Plato and classical philology. The tumultuous events of the 1917 Russian Revolutions led him to maintain a low profile while continuing his academic pursuits. He became a professor of classical philology at the University of Nizhny Novgorod and also taught aesthetics at various institutions, including the Moscow Conservatory. Losev married Valentina Mikhailovna Sokolova in 1922. Both he and his wife secretly became monks in the Russian Orthodox Church in 1929, taking the monastic names Andronik and Afanasiya, a fact kept hidden for decades. Losev's intellectual independence and critical examination of Soviet ideology, particularly in his 1930 book "The Dialectics of Myth," led to his arrest in 1930 and subsequent imprisonment in the Gulag labor camps. His wife was also arrested. Despite the harshness of his sentence, he was eventually released due to the intervention of Yekaterina Peshkova. After his release and return to Moscow, Losev continued his academic work, focusing on ancient philosophy, myth, and aesthetics, which he considered his "inner exile." His magnum opus, "A History of Ancient Aesthetics," was lost in a bombing during World War II but was later reconstructed. He married Aza Alibekovna Takho-Godi after his first wife's death. Losev continued to publish extensively, criticizing Western structuralist thinking and earning recognition, including the USSR State Prize in 1986 for his "History of Classical Aesthetics," shortly before his death in Moscow in 1988. He also engaged in controversies, including accusations of antisemitism, which were largely refuted by historical evidence and his defenders.

The works